Jenni Harris

Jenni Harris

Deputy Principal

Jenni is responsible for the day to day operations and business development of our London Studio in collaboration with the UK Senior Management team. Jenni also team leads projects and has stagelighting systems design consultancy experience from her seven years at Charcoalblue.

jenni.harris@charcoalblue.com

+44 (0)20 7928 0000

Jenni has sixteen years’ experience as a theatre practitioner, working on a freelance basis for regional touring companies such as Northern Broadsides. Prior to this, Jenni worked for several years in theatre sales and marketing for the Palace Theatre & Opera House, Manchester.

She was the CSM/Technical Manager for ‘Broken Time’ – a Three Stones Media production and Deputy Chief Electrician for ‘The Railway Children’ – London Waterloo, The Touring Consortium.

Jenni also has experience as a Lighting Designer for Solid Senses – Laban School of Dance & University of Surrey, along with being an assistant to the Lighting Designer for ‘Copacabana’ and ‘The Hot Mikado’, both Watermill productions. Jenni was also the Associate Lighting Designer for the UK tour of ‘Birdsong’.

Jenni is resident moving light programmer for Yvonne Arnaud Theatre’s pantomime in Guildford, Surrey.

Jenni’s consultancy work with Charcoalblue includes The Peter Hall Performing Arts Centre at The Perse School, The Factory in Manchester and Le Théâtre Elisabéthain au Château D'Hardelot.

Jenni and Gary with the New Wimbledon Theatre's Tamykha Patterson and Greg Allen at the Technical Theatre Awards in 2015 (photo: Alex-Brenner).

Jenni and the team enjoy the sights whilst at Showlight 2017 in Florence.

Jenni and the team enjoy a night out to Tonic Theatre, an initiative supported by Charcoalblue.

What's the greatest lesson you've learnt as a Theatre Consultant?

Don't be prescriptive - listen and try to strike a balance between being reactive and proactive.

What first sparked your love of theatre or performing arts?

I've always had a vested interest in all things theatre, going on to study it for my degrees and ultimately working in the industry in both theatre management and eventually moving over to 'the dark side' of technical production!

What qualities should a 'great performance space' have?

A great performance space should perfect the basics - sufficient power, enough structural loading capacity, able to create a full blackout, etc. - all the basic tools from which creatives can build.

Jenni Harris

Supporting the industry internationally since 2004

The Queen's Awards for Enterprise: International Trade 2020 UK Theatre Tonic ITEAC Theatres Trust Theatre Communications Group
Jenni Harris

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+44 (0)20 7928 0000