CORDELIA CHISHOLM - ASSOCIATE CONSULTANT

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Main responsibilities
Model-maker to the design department, as well as being an accomplished scenery and costume designer in her own right.

Qualifications
BA (Hons) English Literature (Cambridge University); Motley Theatre Design Course; Member of the Society of British Theatre Designers.

Experience
Seven years' experience as a theatre designer and a design assistant.

Designs for opera include: Hansel and Gretel, directed by Frederick Wake-Walker (Opera North); Cosi Fan Tutte and Ariadne auf Naxos, directed by Ashley Dean (RSAMD); Shadow Language, directed by Tim Stark (Theatre 503); The Pearl Fishers, Turandot, and Herdoiade & Nabucco, directed by William Relton (Dorset Opera); Peter Grimes and Marriage of Figaro directed by Ashley Dean (Surrey Opera).

Designs for theatre include: Kurt and Sid (Trafalgar Studios); Touched (RADA); Hamelyn Heights (Young Vic); 100° Farenheit (Southwark Playhouse); Masks and Faces directed by Catriona Mcloughlin (Finborough); The Winter’s Tale, directed by Justin Butcher (Creation Theatre); The Dubya Trilogy (New Players).

Costume designs include: Orlando and La Scala di Seta directed by Alessandro Talevi (Sadlers Wells); Taboos directed by Andy Jordan (New End); The Wedding directed by Emma Bernard (Southwark Playhouse)

Assistant to designers including: Tom Piper (various projects at the RSC: King Lear, Hamlet, Twelfth Night, Henry VI). David Fielding: The Damnation of Faust (Dresden Opera House), Thais (Grange Park Opera). Es Devlin: Carmen, Gaddafi (ENO), Don Giovanni (Vienna) Clemenza di Tito (Barcelona) Orfeo, Salome (ROH). Hildegard Bechtler: The Crucible (RSC), Therese Raquin (NT).